The mixed-media works in The Buried Sun evoke both perpetual loss and volatile renewal. Figures taken from vintage sources are layered over collage and watercolor backgrounds; the phototransfer technique gives these figures a dangerous transparency, leaving them always on the edge of disappearance. At the same time, fine slivers of collage, cut from vintage magazines, come unmoored from the images that once contained them and are transformed into pure radiance: an immanent energy ready to burst forth and assume unpredictable forms.
